AI projects
We'll make one like this for your brand too. From idea and script to final cut.
15 years of shooting commercials, 300+ campaigns. Now we make them with AI — same team.
A short spot for ALEX test built on an insight you recognize in a split second: allergies can hit out of nowhere — even when all you want is a bit of yoga outdoors. In a few seconds the script takes us from a beautiful sunset shot of our heroine to a sudden sneezing fit, a field of ragweed and a getaway through tall grass, yoga mat in hand.
A 20-second spot for Atoxil Heartburn gel about a situation almost everyone knows: a romantic dinner, spicy food — and heartburn at the worst possible moment. AI worked here as a full production tool: it let us quickly combine a lively restaurant scene, the feeling of discomfort, a fantasy dragon metaphor and a clear 3D visualization of how the product works, all in one compact spot.
The Capsiol spot is built around a very human insight: the moment you see hair on your comb or in the drain is an instant alarm — and it hits not just your looks but your confidence. We laid the story out as a short everyday scenario with clear dramatic beats: the problem in the bathroom, a worried look in the mirror, the product, and a simple explanation of how it works at the follicle level.
This short Stylus spot is built on a very current insight: a relationship can be long-distance, but the feeling a gift brings has to arrive on time. The script has everything that holds attention in digital advertising: a speedy courier, a video call with a man in military uniform, a run of expectations about “boring” gifts and an unexpected reveal of an 18+ device as a bold, grown-up joke.
The Atoxil Kids gel spot rests on a precise parenting insight: kids explore the world with their hands — and sometimes literally taste it. The script opens with a simple everyday action, mom dropping a stick pack into the kids' bag, and moves to a sunny walk with a sandbox, little shovels, laughter and the moment dirty hands turn into a real surprise.
The brand film for Pyana Vyshnya (“Drunken Cherry”) cherry liqueur is told as a warm origin story: dawn in the orchard, childhood memories, a grandfather who tends the trees, a ripe cherry in an open palm, the harvest, production and the road to the cities. As an agency, we built the communication not around alcohol in the abstract but around the brand's emotion — Ukrainian sun, home soil, tradition and the feeling that a legendary drink has living roots.
This short JobMatch spot is built on a very clear insight: job hunting often feels like endlessly scrolling random listings, but it should work as simply and intuitively as the swipe everyone knows from dating apps. The script takes our heroine from the rhythm of New York and a taxi ride to a phone full of job listings, a striking transition through the interface reflected in her eye, and a final “MATCH!” in a salon, where she's already found her calling as a hairdresser.
This short spot for MOYO, a Ukrainian electronics retailer, is built on a strong contrast: at first the viewer lands in something close to a medical drama — a heart monitor, a doctor and a “patient” in a hospital bed — but within seconds it's clear that it's not a person who has died, it's an old laptop that has long been begging to retire. The comic insight is simple and relatable: tech has a lifespan too, and the “it finally died” moment can be a reason to upgrade rather than a tragedy.
With a drug everyone knows, the main job isn't to explain — it's to remind. And to do it without looking like an ad from the nineties.
We showed a booking service not through its interface but through what people use it for — an evening in the mountains with the people you want to go with.
A brand about taste and mood. We made the spots energetic — with a rhythm that holds you to the end, even in the feed.
Two spots — one for men, one for women. One product, two stories about where your energy for the day comes from.
A kids' topic where the main viewer is an exhausted mom. A spot about relief, not about the symptom.
A topic advertising handles carefully — and usually clumsily. We looked for a tone in which a woman isn't embarrassed to recognize herself.
We come up with a concept for the brand's task and write the script. You can come without a brief — a one-sentence idea is enough.
Characters, locations, product-in-hand shots, complex scenes and metaphors that would cost several shoot days and VFX in live action.
We put the spot together like a real commercial: editing, sound design, voice, color grading, graphics and a packshot.
Cuts from 6 to 40 seconds, vertical for social, versions for every product in the line and hypotheses to test.
$2,000
turnkey, up to 15 days
To test a hypothesis. From brief to finished spot, approved on a verbal description — no decks or storyboards.
$10,000
turnkey
For a major campaign: strategy and creative, focus groups if needed, a final storyboard, a director. You control every decision.
from $5,000
per month, 3 months minimum
Ongoing creative support and content production billed by the hour, with transparent reports. For a brand that needs a steady flow of video.
Live-action shoots are quoted per script — commercial production. Drug advertising — a separate page.
A quick spot to test a hypothesis is $2,000 turnkey, a flagship spot for a major campaign is $10,000, and a subscription for ongoing production starts at $5,000 a month.
A quick spot takes up to 15 days from the brief. A flagship spot depends on approval stages, strategy and focus groups; we give you timing after the brief.
Yes. We've made AI spots for Atoxil, Kapsiol, Citramon Darnitsa, Kolikid and Simidona Forte. Drug advertising rules are the same as for a shoot, and we build them into the script.
No. We've been shooting commercials for 15 years, with 300+ campaigns; the same team makes the AI work. Depending on the task we pick a shoot, AI or a hybrid.
No. Describe the task in a sentence — we'll work out the rest on a call.
Your video
No brief needed. Even a single sentence about the task will do — we'll work out the rest on a call.
Not a fan of forms?
Call or message us on Telegram. You'll be talking to Vitaliy Sobolevskiy, our creative director.